Christine Marie is an interdisciplinary media artist known for her captivating and immersive creations. She specializes in artworks, installations, performances, XR (Extended Reality), and cinematic spectacles that push the boundaries of art and science. With a deep connection to ancient forms and the metaphysical exploration of light, Marie combines modern technology with traditional techniques to create unique experiences.

One of Marie's notable innovations is her reinvention of the shadow-stereoscope, which projects real-time, 40-foot 3D images into cubic space. She refers to this effect as "(antiquated) Augmented Reality," which can only be fully experienced live or through a VR headset. By seamlessly integrating performers, objects, and special effects, Marie crafts emotionally and visually stimulating hybrid-media experiences that provoke thoughts on industrialization, opposing forces, and the media's role in preserving the natural world.

Marie's work has been showcased at renowned events and venues such as the Sundance Film Festival New Frontier, TED, and the McEvoy Foundation for the Arts. She has also collaborated with influential artists and institutions, including The Residents, Half Past Selber Schuld, and Pixar University. Additionally, as an educator, Marie has shared her expertise at Occidental College, CalArts, and Stanford University.

Currently, Marie is working on a series of 3D light boxes, optical toys, and animations. Her latest project, in collaboration with composer Hil Jaeger, draws inspiration from Rachel Carson's book, "The Sense of Wonder." Through her inventive use of shadow and manipulation of light, Christine Marie invites audiences into a world where the intangible becomes tangible, provoking a sense of awe and wonder.